
Narrator’s Voice in Storytelling – MCQ
1. The narrator’s voice refers to
a) the theme of the story
b) the way a story is told
c) the length of the story
d) the title of the story
2. Which of the following is NOT part of the narrator’s voice?
a) Point of view
b) Tone
c) Language
d) Printing style
3. The narrator’s voice mainly helps the reader or listener to
a) memorise facts
b) understand the story
c) count characters
d) identify the author
4. In oral storytelling, the story exists mainly through
a) books
b) written language
c) human voice and performance
d) silent reading
5. Which element is most important in oral storytelling?
a) Grammar
b) Narrator’s voice
c) Page layout
d) Footnotes
6. “Voice as performance” includes
a) punctuation
b) spelling
c) tone, pitch, pauses
d) chapter division
7. In Kathaprasangam, the narrator
a) reads silently
b) never changes voice
c) raises and softens the voice
d) avoids emotion
8. Multiple voices in oral storytelling mean
a) many narrators
b) many books
c) one narrator using different voices
d) recorded sound
9. Harikatha involves shifting voices of
a) animals only
b) gods, kings, and common people
c) children only
d) historians
10. Which art form mixes narration with music?
a) Novel
b) Essay
c) Harikatha
d) Newspaper
11. Direct address to the audience is common in
a) written novels
b) oral storytelling
c) academic essays
d) textbooks
12. Village storytellers keep the audience engaged by
a) avoiding questions
b) speaking fast
c) asking questions and pausing
d) reading silently
13. Repetition in oral storytelling mainly helps
a) printing
b) memory and rhythm
c) grammar rules
d) punctuation
14. Panchatantra and Jataka tales use repetition to
a) confuse listeners
b) add moral and rhythm
c) increase length
d) avoid meaning
15. Oral storytelling is described as
a) fixed and stable
b) silent and rigid
c) vibrant and evolving
d) private and written
16. In written storytelling, the narrator’s voice is created through
a) gestures
b) facial expressions
c) language and structure
d) audience response
17. The narrator’s voice in written storytelling
a) changes every reading
b) depends on audience reaction
c) remains fixed on the page
d) is spoken aloud
18. First-person narration uses
a) he/she
b) they
c) I
d) you
19. Third-person narration refers to
a) “I”
b) “we”
c) “he/she”
d) “you”
20. Karukku is best described as
a) a novel
b) a poem
c) an autobiographical narrative
d) a drama
21. The narrator’s voice in Karukku is
a) impersonal
b) third-person
c) first-person
d) comic
22. Malgudi Days is a
a) novel
b) autobiography
c) collection of short stories
d) poem
23. The narrative voice in Malgudi Days is
a) angry and harsh
b) gentle and humorous
c) tragic and dark
d) violent
24. Cultural language in written storytelling includes
a) footnotes only
b) foreign words only
c) regional words and idioms
d) numbers and symbols
25. Midnight’s Children is a
a) short story
b) autobiography
c) novel
d) essay
26. The narrator’s voice in Midnight’s Children
a) avoids history
b) mixes English with Indian expressions
c) uses only formal English
d) has no cultural reference
27. Written storytelling guides interpretation mainly through
a) performance
b) gestures
c) words
d) audience reaction
28. Oral storytelling is best described as
a) textual
b) interactive
c) silent
d) fixed
29. Written storytelling is described as
a) flexible
b) performative
c) carefully crafted and stable
d) changing with audience
30. The narrator’s voice is important because it
a) decorates the story
b) controls page numbers
c) shapes meaning and understanding
d) replaces the story
Answer Key
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b
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c
Dr Aswathy Aravindakshan is a teacher, bilingual writer and artist with over two decades of experience in teaching English language and literature. She currently serves as Assistant Professor of English at NSS College for Women, Thiruvananthapuram, Kerala, India. Her blog, ashlit.in brings together academic resources, creative writing in Malayalam and English, and visual art. The platform features lecture notes, study materials, poems, reflections, short prose, and a curated collection of her paintings. Through this space, she seeks to foster learning, creativity, and meaningful engagement with literature and the arts.
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28/30
Subhana sudheer. S. S
Adithya B S
Score: 30/30
ANJU R S
Score : 28